Dissecting Dynamic Range: Does It Matter?
The high-resolution challenge page had been pinged almost 1500 times and over 400 people have contacted me about downloading the
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FORMATS
Fidelity vs. Sound: Which Is Better?
During the recent T.H.E. Show I told several attendees that I intended to write a post comparing fidelity vs. sound.
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MQA: Archimago Adds a “Final” Nail to the Coffin!
Every interested audiophile, equipment manufacturer, audio engineer, and content supplier should carefully read “MQA: A Review of controversies, concerns, and
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Taming the Terminology: Lossy vs. Lossless
Can a PCM digital audio file at any sampling rate and word length ever level be considered “lossy”? Despite a
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The High-Res Mafia: Part II
Is there a conspiracy for or against high-resolution audio and music? There are certainly a large number of interested parties
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Audio Myths – Benchmark’s John Siau Takes on DSD
You don’t have to drill very far to realize that John Siau, the chief designer at Benchmark Media, is a
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Music and Audio: The Blu-Ray Disc
I’ve been working on the script to the pitch video that I have to produce for the upcoming Kickstarter campaign.
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The Analog Tape Adventure
I’ve very aware of the work that Paul Stubblebine and his partners are doing at The Tape Project but I
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$4999 for Reel-To-Reel Analog Tape
You may have already read about some craziness going on at eBay. I’ve talked about $1000 glass CDs but $4999.99
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A Strange Path To A Rating of “10”
The production of an album can be accomplished using a lot of different approaches and techniques. The purist approach involves
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