One Mic vs. Multimic Recording
I opened up an email today from Sound Liaison promoting their preferred recording technique – “one mic recording.” The opening
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NEWS
Pure Audio Streaming Service Announced At High-End Munich
I have known and been friends with Jonathan Reichbach, of Amarra fame, for over 30 years. He was a software
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AIX Records: Post Fire Update
Yesterday was Friday March 21, 2025. It was Johann Sebastien Bach’s 340th birthday. My favorite composer among the giants that
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Analog Tape Part II – Expensive Fun
I was prompted to begin writing again for a couple of reasons. First, the challenges of having to deal with
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2025 Happy New Year! Well Not So Much…At Least So Far.
It’s been a very long time since I wrote a blog post. I’ve been busy with challenges of various types:
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Apple Lossless Audio is Death Knell for MQA
Apple Music issued a press release on May 17, 2021 announcing that the “next generation of sound” would arrive for subscribers in June — without any additional cost. Apple Music subscribers can listen to any track, anywhere, in CD fidelity for only $9.95 month. What Apple Music defines as the “next generation” of sound includes support for Spatial Audio in the form of Dolby Atmos and Lossless Audio.
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MQA Really Is A Fraud!
A number of readers have forwarded links to the video below. In fact, I was in the middle of viewing it when I received a couple of emails. It was produced by a UK-based commentator under the name GoldenSound and it is absolutely spot on in its analysis and conclusion regarding the MQA format. I highly recommend you find 38″ and watch this video.
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Analog Tape: Doing It Right the First Time!
In October of 2019, I wrote an article on probably the single most important link in the long chain of production steps required to bring a classic analog master tape into our digital music world. The importance of maximizing the fidelity of the tape playback using a state-of-the-art reproducer and associated electronics cannot be overstated.
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The Continuing Myth of Hi-Res: Streaming Upgrades
The news this week included the announcement by Spotify is upgrading the fidelity of their music streams to “CD-quality.” I watched a video by John Darko, read the press release about Spotify Hi-Fi and another article on CEPro by Robert Archer, and was so thoroughly disgusted at the inaccuracies included in a piece titled “High-resolution audio: everything you need to know” written by Verity Burns and Becky Roberts on WhatHiFi that I had to post a lengthy comment pointing out a few of the issues…
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MQA: Sonic Degradation and Huge Losses
I haven’t written about MQA for a while. But a couple of recent articles and some information from a reader make an update timely. I’ve ceased reading or posting comments on FB groups dedicated to MQA or with threads about the process because discussing the science behind it in the hopes of convincing audiophiles that it has no merit is about as successful as convincing a flat Earther (one of my former tenants believes the Earth is flat, so I have some experience in this area) that they live on a sphere.
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