No Media Is Perfect: But They’re Not All Equal – Part II
This is a continuation of yesterday’s post. Here’s a link to Part I. However, the overarching theme of the piece
Read MoreThis is a continuation of yesterday’s post. Here’s a link to Part I. However, the overarching theme of the piece
Read MoreI don’t make it a habit to read the musings of other writers on topics that we cover in common,
Read MoreYesterday’s post about dither was really a few paragraphs about a type of noise and the methods that designers have
Read MoreIn the world of PCM digital audio, we have sampling rates and word lengths. The sampling rate establishes the highest
Read MoreHere’s the quick summary on the previous installments on “How to Read a Spectragram”. We’ve looked the basic layout of
Read MoreThe first day of the RMAF 2013 edition is behind me and I’m looking forward to an even bigger crowd
Read MoreBut why would I suggest that you might want to archive your older masters on a piece analog tape. Because
Read MoreAny time you’re dealing with analog signals, it is required that you have reference tones to calibrate the outputs and
Read MoreI’m a member of the Audio Engineering Society. I think I’ve been a member for over 25 years or something
Read MoreHere’s a quote from Paul McGowan, the owner and senior desiger at PS Audio, that he posted the other day
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