A number of readers have forwarded links to the video below. In fact, I was in the middle of viewing it when I received a couple of emails. It was produced by a UK-based commentator under the name GoldenSound and it is absolutely spot on in its analysis and conclusion regarding the MQA format. I highly recommend you find 38″ and watch this video.
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In October of 2019, I wrote an article on probably the single most important link in the long chain of production steps required to bring a classic analog master tape into our digital music world. The importance of maximizing the fidelity of the tape playback using a state-of-the-art reproducer and associated electronics cannot be overstated.
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The news this week included the announcement by Spotify is upgrading the fidelity of their music streams to “CD-quality.” I watched a video by John Darko, read the press release about Spotify Hi-Fi and another article on CEPro by Robert Archer, and was so thoroughly disgusted at the inaccuracies included in a piece titled “High-resolution audio: everything you need to know” written by Verity Burns and Becky Roberts on WhatHiFi that I had to post a lengthy comment pointing out a few of the issues…
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I haven’t written about MQA for a while. But a couple of recent articles and some information from a reader make an update timely. I’ve ceased reading or posting comments on FB groups dedicated to MQA or with threads about the process because discussing the science behind it in the hopes of convincing audiophiles that it has no merit is about as successful as convincing a flat Earther (one of my former tenants believes the Earth is flat, so I have some experience in this area) that they live on a sphere.
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It has been a couple of months since my last post. I regret not writing sooner but I have been consumed with responsibilities at the university, studying like crazy for my oral exam and check ride (Private Pilot – Glider Certificate), and dealing with the successful outcome of my recent Kickstarter campaign. If you were not already aware, 375 backers pledged $16,271 to help bring A User Guide to Streaming, Downloads, and Personal Audio to life. I’ve been writing almost everyday and am confident that I can complete the project by the summer 2021 deadline. If you are interested in backing the project, I’m offering a 30% discount coupon (SDPA_NYS_2021) until March 1, 2021. Simply enter the code during check out.
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Just a quick note to let everyone know that the Kickstarter campaign for A User Guide to Streaming, Downloads, and Personal Audio ends at 8 am PDT tomorrow. The original $10,000 goal was met after only two weeks and an additional 50% has been added since then. The first stretch goal was met a few days ago. Every backer will receive an AIX Records sampler – either a Blu-ray disc or the iTrax/Sprint downloadable sampler.
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In the United States, we’re in the final stretch before the election on November 4. I’ve watched the debates, read plenty of online information, viewed plenty of interviews of both candidates, and walked my mail-in ballot to an official drop box by the local library. And lest you think I would dare to enter the political fray in my blog, no, this is not a political post. I just wish there were a real time fact checker…MORE
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The Kickstarter campaign for my second book on high-end audio streaming, downloads, and personal audio successfully reach its financial goal
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One of the three primary areas of focus in my upcoming user guide is streaming high-fidelity audio. In today’s blog post, I’d like to delve into the basics of this exciting and relatively new way to listen to music and explore a couple of approaches to hardware and software. I guess the best place to start is by defining a few terms. Streaming audio is delivered via a network…
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Today was the deadline to complete and submit my AES Paper. It’s been almost 12 months since I announced the launch of the HD-Audio Challenge II on this site (click here to see the original post). Since then over 13,000 people have visited the launch page, 2000 audiophiles requested the tracks, 1250 downloaded them, and 498 submitted their results. And more music lovers discover the challenge every day. As long as everyone agrees not to post the…
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