Sample Rate Conversion: A Primer Part I
Digital systems are not continuously variable. They are comprised of a multitude of individual slices or data points that when
Read MoreDigital systems are not continuously variable. They are comprised of a multitude of individual slices or data points that when
Read MoreAudio recording is not like real life sound. Engineers are challenged to capture and process acoustic energy…sound waves… with an
Read MoreSo here’s a novel twist on the whole high-resolution audio saga. I spoke to another audio engineer here at the
Read MoreI would like to thank everyone that reads this post for being involved and interested in my passion for music,
Read MoreRupert Neve is a very important man in the world of recording studios and professional audio. He’s a self-taught electronics
Read MoreIn looking at the various protection schemes that the music industry and the RIAA have tried over the history of
Read MoreBased on the responses I got to yesterday’s post on the HDACC by Essence and the value of having an
Read MoreYesterday’s post about dither was really a few paragraphs about a type of noise and the methods that designers have
Read MoreSetting up a great sounding music playback system is more than just having the right source components, cabling, amplifiers and
Read MoreHere’s the quick summary on the previous installments on “How to Read a Spectragram”. We’ve looked the basic layout of
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