It’s All Your Fault!
What would you think if you purchased a track from a provider of HD digital downloads in both 96 kHz
Read MoreWhat would you think if you purchased a track from a provider of HD digital downloads in both 96 kHz
Read MoreIn looking at the various protection schemes that the music industry and the RIAA have tried over the history of
Read MoreContent Scrambling System (CSS) is the copy protection scheme adopted by the DVD Forum to secure Hollywood’s content on DVD-Video
Read MoreThe major labels and their industry trade group the RIAA have been very aggressive in combating the wholesale theft of
Read MoreBased on the responses I got to yesterday’s post on the HDACC by Essence and the value of having an
Read MoreIt’s coming…again. The folks at the Consumer Electronics Association [CEA] announced “the Hi-Res Audio Experience, a new TechZone featured at
Read MoreYesterday’s post about dither was really a few paragraphs about a type of noise and the methods that designers have
Read MoreIn the world of PCM digital audio, we have sampling rates and word lengths. The sampling rate establishes the highest
Read MoreFor about a year back in the 1980’s, I worked as a “boom man” for production sound mixer Mike Denecke
Read MoreI’ve received a lot of email regarding yesterday’s post on the use of multiple close up microphones as opposed to
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