{"id":6749,"date":"2019-11-18T09:55:09","date_gmt":"2019-11-18T17:55:09","guid":{"rendered":"http:\/\/www.realhd-audio.com\/?p=6749"},"modified":"2019-11-18T10:30:10","modified_gmt":"2019-11-18T18:30:10","slug":"listening-to-dynamic-music-hd-audio-challenge-ii","status":"publish","type":"post","link":"https:\/\/www.realhd-audio.com\/?p=6749","title":{"rendered":"Listening to Dynamic Music &#8211; HD-Audio Challenge II"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"588\" height=\"324\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_HD-Audio_Challenge_II.jpg\" alt=\"\" class=\"wp-image-6760\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_HD-Audio_Challenge_II.jpg 588w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_HD-Audio_Challenge_II-300x165.jpg 300w\" sizes=\"auto, (max-width: 588px) 100vw, 588px\" \/><\/figure>\n\n\n\n<p>The HD-Audio Challenge II has launched. Over 250 audio enthusiasts have already signed up and more are signing up everyday. Please feel free to encourage others to participate in this new research project by linking to this page. Anyone interested should submit their information using the form below:<\/p>\n\n\n\n<div class=\"frm_forms  with_frm_style frm_style_formidable-style\" id=\"frm_form_4_container\" >\n<form enctype=\"multipart\/form-data\" method=\"post\" class=\"frm-show-form \" id=\"form_hd-audio-challenge-ii-participation-request\" >\n<div class=\"frm_form_fields \">\n<fieldset>\n<legend class=\"frm_screen_reader\">HD-Audio Challenge II Participation Request<\/legend>\r\n\r\n<div class=\"frm_fields_container\">\n<input type=\"hidden\" name=\"frm_action\" value=\"create\" \/>\n<input type=\"hidden\" name=\"form_id\" value=\"4\" \/>\n<input type=\"hidden\" name=\"frm_hide_fields_4\" id=\"frm_hide_fields_4\" value=\"\" \/>\n<input type=\"hidden\" name=\"form_key\" value=\"hd-audio-challenge-ii-participation-request\" \/>\n<input type=\"hidden\" name=\"item_meta[0]\" value=\"\" \/>\n<input type=\"hidden\" id=\"frm_submit_entry_4\" name=\"frm_submit_entry_4\" value=\"bfac584ac9\" \/><input type=\"hidden\" name=\"_wp_http_referer\" value=\"\/index.php?rest_route=%2Fwp%2Fv2%2Fposts%2F6749\" \/><div id=\"frm_field_34_container\" class=\"frm_form_field form-field  frm_required_field frm_top_container frm_first frm_half\">\r\n    <label for=\"field_qh4icy23\" id=\"field_qh4icy23_label\" class=\"frm_primary_label\">Name\r\n        <span class=\"frm_required\">*<\/span>\r\n    <\/label>\r\n    <input type=\"text\" id=\"field_qh4icy23\" name=\"item_meta[34]\" value=\"\"  data-reqmsg=\"Name cannot be blank.\" aria-required=\"true\" data-invmsg=\"Name is invalid\" aria-invalid=\"false\"   aria-describedby=\"frm_desc_field_qh4icy23\"\/>\r\n    <div class=\"frm_description\" id=\"frm_desc_field_qh4icy23\">First<\/div>\r\n    \r\n<\/div>\n<div id=\"frm_field_35_container\" class=\"frm_form_field form-field  frm_required_field frm_hidden_container frm_half\">\r\n    <label for=\"field_ocfup123\" id=\"field_ocfup123_label\" class=\"frm_primary_label\">Last\r\n        <span class=\"frm_required\">*<\/span>\r\n    <\/label>\r\n    <input type=\"text\" id=\"field_ocfup123\" name=\"item_meta[35]\" value=\"\"  data-reqmsg=\"Last cannot be blank.\" aria-required=\"true\" data-invmsg=\"Last is invalid\" aria-invalid=\"false\"   aria-describedby=\"frm_desc_field_ocfup123\"\/>\r\n    <div class=\"frm_description\" id=\"frm_desc_field_ocfup123\">Last<\/div>\r\n    \r\n<\/div>\n<div id=\"frm_field_36_container\" class=\"frm_form_field form-field  frm_required_field frm_top_container frm_full\">\r\n    <label for=\"field_29yf4d23\" id=\"field_29yf4d23_label\" class=\"frm_primary_label\">Email\r\n        <span class=\"frm_required\">*<\/span>\r\n    <\/label>\r\n    <input type=\"email\" id=\"field_29yf4d23\" name=\"item_meta[36]\" value=\"\"  data-reqmsg=\"Email cannot be blank.\" aria-required=\"true\" data-invmsg=\"Please enter a valid email address\" aria-invalid=\"false\"  \/>\r\n    \r\n    \r\n<\/div>\n<div id=\"frm_field_38_container\" class=\"frm_form_field form-field  frm_required_field frm_top_container frm_full\">\r\n    <label for=\"field_9jv0r12\" id=\"field_9jv0r12_label\" class=\"frm_primary_label\">Message\r\n        <span class=\"frm_required\">*<\/span>\r\n    <\/label>\r\n    <textarea name=\"item_meta[38]\" id=\"field_9jv0r12\" rows=\"5\"  data-reqmsg=\"Message cannot be blank.\" aria-required=\"true\" data-invmsg=\"Message is invalid\" aria-invalid=\"false\"  ><\/textarea>\r\n    \r\n    \r\n<\/div>\n<div id=\"frm_field_40_container\" class=\"frm_form_field form-field  frm_required_field frm_top_container vertical_radio\">\r\n    <div  id=\"field_5xrhk_label\" class=\"frm_primary_label\">Checkboxes\r\n        <span class=\"frm_required\">*<\/span>\r\n    <\/div>\r\n    <div class=\"frm_opt_container\" aria-labelledby=\"field_5xrhk_label\" role=\"group\">\t\t<div class=\"frm_checkbox\" id=\"frm_checkbox_40-0\">\t\t\t<label  for=\"field_5xrhk-0\">\n\t\t\t<input type=\"checkbox\" name=\"item_meta[40][]\" id=\"field_5xrhk-0\" value=\"I will not analyze the files to determine the format. I will only listen.\"  data-reqmsg=\"Checkboxes cannot be blank.\" data-invmsg=\"Checkboxes is invalid\"   aria-required=\"true\"  \/> I will not analyze the files to determine the format. I will only listen.<\/label><\/div>\n\t\t<div class=\"frm_checkbox\" id=\"frm_checkbox_40-1\">\t\t\t<label  for=\"field_5xrhk-1\">\n\t\t\t<input type=\"checkbox\" name=\"item_meta[40][]\" id=\"field_5xrhk-1\" value=\"I agree not to distribute the files to others or to make them public.\"  data-reqmsg=\"Checkboxes cannot be blank.\" data-invmsg=\"Checkboxes is invalid\"   \/> I agree not to distribute the files to others or to make them public.<\/label><\/div>\n<\/div>\r\n    <div class=\"frm_description\" id=\"frm_desc_field_5xrhk\">Please check the two boxes to help insure the integrity of this research.<\/div>\r\n    \r\n<\/div>\n\t<input type=\"hidden\" name=\"item_key\" value=\"\" \/>\n\t\t\t<div id=\"frm_field_120_container\">\n\t\t\t<label for=\"field_r7e52\" >\n\t\t\t\tIf you are human, leave this field blank.\t\t\t<\/label>\n\t\t\t<input  id=\"field_r7e52\" type=\"text\" class=\"frm_form_field form-field frm_verify\" name=\"item_meta[120]\" value=\"\"  \/>\n\t\t<\/div>\n\t\t<input name=\"frm_state\" type=\"hidden\" value=\"ty6M+VFE9oRTjD8h+ali2lRwmsnQNO80cYKGrvTTfw0=\" \/><div class=\"frm_submit\">\r\n\r\n<button class=\"frm_button_submit\" type=\"submit\"  >Submit<\/button>\r\n\r\n<\/div><\/div>\n<\/fieldset>\n<\/div>\n\n<p style=\"display: none !important;\" class=\"akismet-fields-container\" data-prefix=\"ak_\"><label>&#916;<textarea name=\"ak_hp_textarea\" cols=\"45\" rows=\"8\" maxlength=\"100\"><\/textarea><\/label><input type=\"hidden\" id=\"ak_js_1\" name=\"ak_js\" value=\"172\"\/><script>document.getElementById( \"ak_js_1\" ).setAttribute( \"value\", ( new Date() ).getTime() );<\/script><\/p><\/form>\n<\/div>\n\n\n\n\n<p>Last week, Dropbox informed me that they have banned my account because I exceeded my daily download allotment. So I moved all of the files to a Google Drive and have been sending the link to everyone that has signed up. If you haven&#8217;t received the link, please be patient. I&#8217;m adding about 25-30 people every day to avoid swamping the Google account. Once you have the files, please let me know.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Experiencing Real World Dynamic Range<\/h4>\n\n\n\n<p>I received the following from a reader after he played a few of the terst files downloaded from the AIX Records catalog. He wrote, <em>&#8220;Must admit I do struggle with levels though. Like a couple of recordings I have purchased from AIX in the past, they seem SO low. I appreciate that avoiding compression will reduce the average level but there is such a difference it does make me wonder. My amp has an accurate volume scale in dB and your tracks seem to be about 12-15 dB down in comparison. With relatively inefficient speakers (Quad electrostatics) I am running out of gain from my 200w amp.<\/em>&#8220;<\/p>\n\n\n\n<p>This comment is not unexpected or uncommon. So I thought I would speak to the issue of live vs. reproduced dynamic range briefly in this post. Recordings that accurately reflect the dynamics of the original performance will undoubtedly sound much quieter than most of the other albums you&#8217;ve experienced \u2014&nbsp;the RMS (Root Mean Squared although think average and you get the gist) amplitude is much lower. Unfortunately, virtually ALL of the commercially released recordings have had their original dynamics modified \u2014 and not to the benefit of the original performance. This procedure is standard operating procedure during the mastering phase of a production. Mastering engineers employ sophisticated analog and\/or digital compressor\/limiters to lessen the dynamic range of the source mixes. Amplitude levels exceeding a specific threshold are attenuated by a user defined ratio \u2014&nbsp;typically 4:1 to a crushing 20:1. The result removes all or most of the dynamic variations present in the original music and results in an &#8220;all loud all of the time&#8221; recording, which is decidedly unmusical and unnatural.<\/p>\n\n\n\n<p>The diagram below was ripped from a CD release:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"294\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_john5_needles.jpg\" alt=\"\" class=\"wp-image-6755\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_john5_needles.jpg 650w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_john5_needles-300x136.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption>Waveform of typical commercial CD<\/figcaption><\/figure>\n\n\n\n<p>The dynamic range of the track above registers at 48 dB, which can be completely defined by about 8-bits! Why is everyone promoting 24-bit files for playing back music files when the material we listen to doesn&#8217;t even use 25% of that potential.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Understanding Compression and Normalization<\/h4>\n\n\n\n<p>Take a look a the following diagram from the <a rel=\"noreferrer noopener\" aria-label=\"Music and Audio: A User Guide to Better Sound (opens in a new tab)\" href=\"https:\/\/www.musicandaudioguide.com\/\" target=\"_blank\">Music and Audio: A User Guide to Better Sound<\/a>. It shows the progressive application of more and more compression applied to an unprocessed source recording (from my own catalog).<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"325\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191117_mosaic_compressions.jpg\" alt=\"\" class=\"wp-image-6752\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191117_mosaic_compressions.jpg 650w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191117_mosaic_compressions-300x150.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption>Uncompressed recording on the left and compressed version on the right.<\/figcaption><\/figure>\n\n\n\n<p>The natural dynamics of this acoustic guitar, bass, and percussion recording is on the left. The PCM 24-bit word length allows recording engineers greater flexibility in capturing music that has lots of wide dynamics. Each of the other four versions show increasing amounts of compression applied to the original file. The one on the right hand edge is typical of commercial recordings. However, the overall level has been severely reduced. Segments of the original track with amplitudes above a specific threshold (typically -12 to -14 dB) are attenuated. However, the mastering engineer is not finished mucking with the dynamics \u2014 it gets worse.<\/p>\n\n\n\n<p>The level of the plateau on the heavily compressed version is about 12 dB down from the potential maximum of this file as defined by the word length. Notice the single moment in the left channel (the top one) in the original uncompressed track that reaches to the absolute peak of this file near the beginning. That is the loudest moment in the track. If left in the recording (as audiophiles would and should prefer), the full range of dynamics are captured and can be reproduced. The four mastered versions progressively remove these musical variations in amplitude \u2014 <em><strong>performance subtleties painstakingly practiced by skill musicians and deliberately included in their performances<\/strong><\/em>. The compressed version plays great on the radio but is very much lacking for those seeking real world, natural musical dynamics.<\/p>\n\n\n\n<p>The final process a mastering engineer does after compressing a track is to maximize the amplitude potential of the track in the 16 or 24-bit file container. This process is called <strong>normalization<\/strong> and it does not restore the previously removed dynamic range. It only makes the flattened file louder \u2014 <strong><em>a lot louder<\/em><\/strong>.  In the example above it increases the amplitude by about 12 dB!<\/p>\n\n\n\n<p>The illustration below shows the original uncompressed track and again after the compression AND normalization processes have been applied.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"325\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191117_mosaic_native_vs_compressed_normalized.jpg\" alt=\"\" class=\"wp-image-6753\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191117_mosaic_native_vs_compressed_normalized.jpg 650w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191117_mosaic_native_vs_compressed_normalized-300x150.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption>The original &#8220;natural&#8221; file and the compressed and normalized version.<\/figcaption><\/figure>\n\n\n\n<p>Guess which one will sound &#8220;punchier&#8221;, louder, and have more commercial appeal for those listening on radio or streamed services?<\/p>\n\n\n\n<p>Normalization is a two step process. The normalization algorithm scans the file looking for the single digital word with the highest value \u2014 the loudest amplitude. The second pass then amplifies all of the digital words by the difference between the highest scanned value (the first pass) and the maximum value allowed in the 24-bit (or 16-bit) container.<\/p>\n\n\n\n<p>If a mastering engineer normalizes the original \u2014 and very dynamic \u2014 tracks the dynamic contour is maintained. The single loudest moment will light up the 24th bit in the PCM word. The dynamics will be wide and natural. However, if normalization is applied to a track that has been heavily compressed, ALL of the digital words approach the maximum value of the file. This is great for making your track pop out of the radio speaker but undesirable for enjoying a musical performance.<\/p>\n\n\n\n<p>The files that are part of the HD-Audio Challenge II have not been compressed or normalized. All of the selections come from the AIX Records catalog and maintain the original dynamics as performed by the musicians and singers during the sessions. I believe this is what audiophiles want when they playback an album or track. Sadly, this is not what most record labels offer to their customers. We experience compressed and normalized files because that&#8217;s what generates the most profits for the labels.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"250\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_25.jpg\" alt=\"\" class=\"wp-image-6756\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_25.jpg 680w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_25-300x110.jpg 300w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>So when you listen to the tracks for the HD-Audio Challenge II, you will undoubtedly have to turn up the volume on your preamplifier when listening to them. If you have a good preamp (with lots of dynamic range), a capable amplifier, and a quiet listening room, you will experience real world dynamics \u2014 <strong><em>perhaps for the first time!<\/em><\/strong> Be sure you turn down the volume on your preamp before playing a commercial album or mastered source or you may get blown out.<\/p>\n\n\n\n<p>There&#8217;s a lot more to say about recording dynamics, noise floor, &#8220;micro dynamics&#8221;, &#8220;low level details&#8221; amplifiers, and speakers but I&#8217;ll leave that discussion for the book or another article. However, the explanation above may influence your listening during the HD-Audio Challenge or at least make you realize that most of your listening can be contained in far fewer bits. A heavily compressed and normalized track typically requires between 8 and 12-bits. It should make you wonder about the dubious claims by download services, streaming companies, and equipment vendors that want you to believe that more bits means better listening. Moving to 32 or even 24 bit is completely unnecessary for normal music listening.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"> Making Friends at the Audio Shows and on the Plane<\/h4>\n\n\n\n<p>I wanted to relate a few brief stories collected while I was on the east coast at the CAF and NY Audio Show. The first was a brief \u2014 very brief \u2014 conversation I had with a younger gentleman that was probably an employee of a cable company or other accessories vendor. I saw him at both shows. He engaged me when he overheard me dismissing the ridiculous claims made by cable companies about power cords. You may remember the picture below of the inside of one of my Oppo Blu-ray players. It shows the internal wiring of my Oppo Blu-ray player \u2014 simple 12 gauge stranded wire, which plugs into the power supply circuit board with its thin copper traces. There is no way that an expensive, boa constrictor sized power cord will cause any changes or enhancements to the fidelity of this player. If it did there is something wrong with the entire setup.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"433\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/02\/190217_power_cord.jpg\" alt=\"\" class=\"wp-image-6432\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/02\/190217_power_cord.jpg 650w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/02\/190217_power_cord-300x200.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><figcaption>The 12 gauge stranded wire inside the IEC power connector on my Oppo unit.<\/figcaption><\/figure>\n\n\n\n<p>This gentleman insisted that power cords make &#8220;a 100% improvement&#8221; in the fidelity of a high-end audio system. He was flummoxed and upset at my assertion. So he asked, &#8220;I guess you also believe that a desktop computer or laptop playing music files sounds the same as a dedicated music server?&#8221; When I said yes I did believe that, he stormed off without a word. I&#8217;ve tested his assertion and confirmed that the same digital bits were delivered to my Benchmark DAC from a server and my MacBook Pro. And if the same bits are sent to a state-of-the-art DAC, which uses its own clock and converts the digital information back to an analog signal, then the same sound is produced.<\/p>\n\n\n\n<p>The second conversation of note was something I overheard at the nearby display of historic phono cartridges and tone arms. A obviously strong advocate of vinyl LPs offered his opinion, &#8220;Digital audio will never equal the analog richness of good vinyl. CDs sounded harsh 40 years ago and they still sound harsh today.&#8221;<\/p>\n\n\n\n<p>Finally, I should mention a conversation I had with a gentleman sitting next to me on the flight to DC. He was returning to his government job from an extended stay in Australia. We got talking about audio and it turned out that he does AI algorithm development for some research department. He went to grad school at MIT and appeared to be a very knowledgeable and intelligent individual. But when I started talking about my progression from analog to digital audio production, he interjected, &#8220;but all of those individual digital audio samples can never result in a smooth analog waveform, right?&#8221; I proceeded to share some basic information about sampling theory, the Shannon-Nyquist theorem, and reconstruction filters and ultimately he was convinced \u2014 but he still wants to keep listening to his vast vinyl LP collection. And so he should.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Holiday Savings on AIX Records &amp; Music and Audio <\/h4>\n\n\n\n<p>Discounts have been extended until the end of November for the all <a href=\"http:\/\/www.aixrecords.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"AIX Records (opens in a new tab)\">AIX Records<\/a> releases and the <em><strong><a href=\"http:\/\/www.musicandaudioguide.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"Music and Audio: A User Guide to Better Sound (opens in a new tab)\">Music and Audio: A User Guide to Better Sound<\/a><\/strong><\/em>. Use COUPON CODE <strong>AIX191101<\/strong> for 25% off all AIX Recording and <strong>MAAG191016<\/strong> for 50% off the paperback version of the book. The holidays are fast approaching&#8230;shop now for the perfect audiophile gift.<\/p>\n\n\n\n<p>Following the success at the audio trade shows in DC and NYC, <em><strong>quantities of the book are limited<\/strong><\/em>. Make sure you get your copy in time for the holidays.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"680\" height=\"676\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_MAAG_50.jpg\" alt=\"\" class=\"wp-image-6758\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_MAAG_50.jpg 680w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_MAAG_50-300x298.jpg 300w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_MAAG_50-150x150.jpg 150w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2019\/11\/191118_coupon_MAAG_50-50x50.jpg 50w\" sizes=\"auto, (max-width: 680px) 100vw, 680px\" \/><\/figure>\n\n\n\n<p>Thanks as always and Happy Holidays!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The HD-Audio Challenge II has launched. Over 250 audio enthusiasts have already signed up and more are signing up everyday.<\/p>\n","protected":false},"author":2,"featured_media":6760,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[45,1,12,16],"tags":[97,1145,657,50,1168,1169,1173,83,40,1166,172,1141,1032,70,640,26,1172,639,1043,1154,980,1061,42,298,251,645,638,637,227,643,302,303,169,1026,1027,150,41,1167,320,1143,347,27],"class_list":["post-6749","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dr_aixs_posts","category-what-is-hd-audio","category-news","category-techtalk","tag-5-1-surround","tag-5-1-surround-mix","tag-advanced-resolution","tag-aix-records","tag-amazon","tag-amazon-hd","tag-amazon-music-hd","tag-analog-tape","tag-analog-vs-digital","tag-apple-digital-masters","tag-audio-resolution","tag-dgitial-audio-review","tag-dvd_audio","tag-hd-downloads","tag-hd-music","tag-hd-audio","tag-hd-audio-challenge-ii","tag-hi-res-audio","tag-hi-res","tag-hi-res-audio-challenge","tag-hi-res-music","tag-hi-res-sound","tag-high-resolution-audio","tag-high-res-music","tag-high-resolution","tag-high-resolution-audio-experience","tag-hires-audio","tag-hires-music","tag-hra","tag-hra-listening-experience","tag-lossless","tag-lossy","tag-mark-waldrep","tag-music-and-audio","tag-music-and-audio-a-user-guide-to-better-sound","tag-pcm","tag-provenance","tag-pzzll","tag-rmaf","tag-sound-bar","tag-spectragram","tag-spectragraphs"],"_links":{"self":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/6749","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6749"}],"version-history":[{"count":7,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/6749\/revisions"}],"predecessor-version":[{"id":6762,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/6749\/revisions\/6762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/media\/6760"}],"wp:attachment":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6749"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6749"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6749"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}