{"id":4824,"date":"2015-07-01T13:55:32","date_gmt":"2015-07-01T20:55:32","guid":{"rendered":"http:\/\/www.realhd-audio.com\/?p=4824"},"modified":"2015-07-01T13:55:32","modified_gmt":"2015-07-01T20:55:32","slug":"recording-engineers-are-not-audiophiles-part-3","status":"publish","type":"post","link":"https:\/\/www.realhd-audio.com\/?p=4824","title":{"rendered":"Recording Engineers Are Not Audiophiles? Part 3"},"content":{"rendered":"<p>The final installment:<\/p>\n<p>&#8220;I&#8217;ve noticed all the debate about this subject and try to offer consumers a more down to earth explanation they can understand in layman&#8217;s terms because the hi res audio listening experience is worth the effort.&#8221;<\/p>\n<p>What is &#8220;down to earth&#8221; about reinforcing misinformation? It turns out that the &#8220;high-res listening&#8221; experience is not being delivered in most cases. I got a phone call from a very prominent member of the audio\/video marketing community this morning. He came by last week with a new, very high-end portable, high-resolution audio player. The company gave him the device so that he could evaluate it for possible inclusion in his employer&#8217;s retail outlets. He listened to the &#8220;so-called&#8221; high-res content that they company included on the player. He was impressed but not over the moon. <\/p>\n<p>He came by and asked if I would load a bunch of my tracks on the device. I gave him the iTrax\/Sprint Sampler files and a couple Headphones[xi] versions. He flipped out the moment he heard real high-resolution audio tracks. And the virtualized surround selections impressed him even more. He&#8217;s assured me that he&#8217;s going to tell the supplier of the high-res device that they should include some AIX Records tracks on the player.<\/p>\n<p>Today, he told me that he had paid $26 for a Linda Ronstadt album from a major online supplier of high-resolution music. He compared it with his CD version over and over again and concluded that he couldn&#8217;t tell the difference. So maybe Ryan is right about some of the catalog offered at PonoMusic. And maybe it does cast doubt on the whole high-resolution marketplace&#8230;and rightfully so. My definition may not be the answer but it does actually move the bar!<\/p>\n<p>I suspect that the author of the comments doesn&#8217;t fully grasp the concept of &#8220;louder&#8221;. Maybe he means more dynamic or more engaging. His final paragraph mentions Robert Stuart&#8217;s MQA invention, which he describes as, &#8220;a very promising technology that also allows playback at higher levels to match the studio master dynamic range&#8221;.  I got an email from Robert last weekend and will be getting answers to my questions about MQA directly from the source. Maybe I should ask him if MQA &#8220;allows playback at higher levels to match the studio master dynamic range&#8221;? It doesn&#8217;t. It is a very clever codec that guarantees that everything that was produced in the studio is delivered to the listener at home. There isn&#8217;t anything in any of the information I&#8217;ve read that says it allows for louder playback.<\/p>\n<p>&#8220;Telling consumers that there are no differences between the formats is counter-productive and easily disproved, once a consumer hears &#8216;uncompressed content&#8217;, he&#8217;s usually hooked.&#8221;<\/p>\n<p>If it&#8217;s so &#8220;easily disproved&#8221;, why hasn&#8217;t anyone been able to do it? I was involved in a study just last holiday season that came back with unconvincing results. It is a very subtle difference and then only when listening to a very carefully done transfer or an original recording at high-res.<\/p>\n<p>And here we are back at the &#8220;uncompressed content&#8221; description. Are we talking about data compression or audio compression?<\/p>\n<p>I&#8217;ve written way too many words in response to the comments on the AR article. I&#8217;ve spent the time &#8211; and no doubt alienated the gentleman behind the comments &#8211; because his &#8220;marketing oriented&#8221; terminology and explanation is so far from accurate. It&#8217;s no wonder that the casual audio enthusiast is confused when writers incorrectly claim that other people are wrong but fail terribly with the facts themselves. This is important. That&#8217;s why I write everyday. <\/p>\n<p>I&#8217;m a recording engineer and an audiophile. But I don&#8217;t have state-of-the-art equipment at my house. I don&#8217;t have any products from Synergistic Research&#8230;including the High Definition ground wires. In fact, I don&#8217;t have any special cables or audiophile tweaks here at the studio or at home. I suspect that recording engineers are far better listeners than the average audiophile&#8230;even without exotic systems at home. But we do know great sound and how to achieve it.<\/p>\n<p>Marketers will continue to spin things in their direction to entice you to buy whatever they&#8217;re trying to sell. I had hoped to avoid a big back and forth discussion about the AP article. But things got out of hand.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The final installment: &#8220;I&#8217;ve noticed all the debate about this subject and try to offer consumers a more down to<\/p>\n","protected":false},"author":2,"featured_media":4849,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[45],"tags":[97,657,50,40,172,57,1032,70,640,26,42,298,251,645,638,637,227,643,169,954,150,347,27,116,659,660,661],"class_list":["post-4824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dr_aixs_posts","tag-5-1-surround","tag-advanced-resolution","tag-aix-records","tag-analog-vs-digital","tag-audio-resolution","tag-audio-specifications","tag-dvd_audio","tag-hd-downloads","tag-hd-music","tag-hd-audio","tag-high-resolution-audio","tag-high-res-music","tag-high-resolution","tag-high-resolution-audio-experience","tag-hires-audio","tag-hires-music","tag-hra","tag-hra-listening-experience","tag-mark-waldrep","tag-music-server","tag-pcm","tag-spectragram","tag-spectragraphs","tag-surround-music","tag-uhd-audio","tag-ultra-high-definition-audio","tag-ultra-high-resolution-audio"],"_links":{"self":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4824"}],"version-history":[{"count":2,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4824\/revisions"}],"predecessor-version":[{"id":4848,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4824\/revisions\/4848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/media\/4849"}],"wp:attachment":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}