{"id":4664,"date":"2015-06-03T14:31:57","date_gmt":"2015-06-03T21:31:57","guid":{"rendered":"http:\/\/www.realhd-audio.com\/?p=4664"},"modified":"2015-06-03T14:32:11","modified_gmt":"2015-06-03T21:32:11","slug":"my-illuminated-cd-is-back","status":"publish","type":"post","link":"https:\/\/www.realhd-audio.com\/?p=4664","title":{"rendered":"My &#8220;Illuminated CD&#8221; Is Back"},"content":{"rendered":"<p>Back in late March, I wrote about a gentleman&#8230;also named Mark&#8230;that operates a website that offers to &#8220;vivify&#8221; your CDs by duplicating them on CD-Rs. The process claims to provide &#8220;improvements in sound that surpass expensive upgrades&#8221;. I called foul. You can read my initial post by <a href=\"http:\/\/www.realhd-audio.com\/?p=4351\" target=\"_blank\">clicking here<\/a>. Mark offered to vivify one of my recordings free of charge and I took him up on it. Mark wrote:<\/p>\n<p>&#8220;Here is a challenge to you: send me a CD in WAV with music that you know well as a reference (compilation is OK) and I will do the process free of charge.  If your ears and equipment are good, I know you will hear the improvement first hand. If you do a compilation perhaps some of your friends would like to contribute a track or two.<\/p>\n<p>Mark &#8211; CD Illumination&#8221;<\/p>\n<p>The CD Illumination disc arrived yesterday in a padded bag. I&#8217;ve spent most of my morning evaluating the disc and would like to use today&#8217;s post to share what I found.<\/p>\n<p>QUESTION 1 &#8211; Is the digital information on the discs the same?<\/p>\n<p>The first thing I did was capture the audio from the original replicated CD and the processed CD-R. I made the transfers in real time using my Pro Tools DAW through an MBox 2 Pro I\/O box. This is not a high-end converter but I thought it would be useful to digitally capture (via S\/P DIF) the CD data in real time.<\/p>\n<p>I also transferred the files from both discs in my Mac Laptop to the local hard disc. Curiously, the size of the files wasn&#8217;t identical. Take a look:<\/p>\n<p><a href=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_chopin_filesize.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_chopin_filesize.jpg\" alt=\"150603_chopin_filesize\" width=\"600\" height=\"381\" class=\"alignnone size-full wp-image-4667\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_chopin_filesize.jpg 600w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_chopin_filesize-300x191.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Figure 1 &#8211; Notice that the file sizes of the same track are not the same.<\/p>\n<p>The next step was to synchronize the files and reverse or &#8220;invert&#8221; the polarity of one of the files. It&#8217;s easy to synch up the ripped files because the data&#8230;at least at the head of the files&#8230;is identical. The processed file was 87040 samples or about 2 seconds longer. I will ask Mark the reason for the additional length.<\/p>\n<p><a href=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_prosseda_waveformlengths.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_prosseda_waveformlengths.jpg\" alt=\"150603_prosseda_waveformlengths\" width=\"600\" height=\"299\" class=\"alignnone size-full wp-image-4668\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_prosseda_waveformlengths.jpg 600w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_prosseda_waveformlengths-300x150.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Figure 2 &#8211; The processed file&#8230;the one in green&#8230;is slightly longer.<\/p>\n<p><a href=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_inverted_files.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_inverted_files.jpg\" alt=\"150603_inverted_files\" width=\"600\" height=\"301\" class=\"alignnone size-full wp-image-4669\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_inverted_files.jpg 600w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_inverted_files-300x151.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Figure 3 &#8211; The two file synchronized with one inverted.<\/p>\n<p>I folded each of the files to mono and just as I imagined they cancelled each other perfectly. The answer to the first question is a resounding yes. The data in each of the files is identical except for the added length associated with the processed file. I actually got my iPhone 6 out and was thinking about making a video but decided doing a handheld video (I&#8217;ll get some video posts going soon&#8230;I promise.). Instead, I took some screen grabs showing the polarity inversion. See the figures below:<\/p>\n<p><a href=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_solo_chopin.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_solo_chopin.jpg\" alt=\"150603_solo_chopin\" width=\"600\" height=\"367\" class=\"alignnone size-full wp-image-4670\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_solo_chopin.jpg 1260w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_solo_chopin-300x183.jpg 300w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_solo_chopin-1024x626.jpg 1024w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_solo_chopin-208x128.jpg 208w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Figure 4 &#8211; The EDIT and MIX screens of Pro Tools showing the processed file being soloed or played alone. [Click to enlarge]<\/p>\n<p>I&#8217;ve drawn a red circle around the SOLO button. Soloing mutes all other channels. Without another signal to cancel against, the AUX 1 bus output shows the processed files in the metering.<\/p>\n<p><a href=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_cancelled.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/06\/150603_cancelled.jpg\" alt=\"150603_cancelled\" width=\"600\" height=\"367\" class=\"alignnone size-full wp-image-4671\" \/><\/a><\/p>\n<p>Figure 5 &#8211; This screen capture shows both signals being output to the AUX 1 bus. [Click to enlarge]<\/p>\n<p>The original Chopin &#8220;Scherzo&#8221; and the processed or &#8220;vivified&#8221; files cancel each other perfectly. You can see that because the AUX 1 bus meter shows no output. I went further and captured the output of the AUX 1 bus and looked at the resultant file&#8230;no signal present. CD Illumination did not &#8220;remaster&#8221; or alter the files as he promised.<\/p>\n<p>The next question is whether the processed disc exhibits &#8220;greatly improved resultant sound&#8221;. I&#8217;ll talk about that tomorrow. And yes, I do have a terrific playback system and good ears.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back in late March, I wrote about a gentleman&#8230;also named Mark&#8230;that operates a website that offers to &#8220;vivify&#8221; your CDs<\/p>\n","protected":false},"author":2,"featured_media":4672,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[45],"tags":[97,657,50,83,40,172,57,967,1032,640,26,42,961,298,251,645,638,637,227,643,169,954,150,347,27,659,660,661],"class_list":["post-4664","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dr_aixs_posts","tag-5-1-surround","tag-advanced-resolution","tag-aix-records","tag-analog-tape","tag-analog-vs-digital","tag-audio-resolution","tag-audio-specifications","tag-cd-illumination","tag-dvd_audio","tag-hd-music","tag-hd-audio","tag-high-resolution-audio","tag-high-res-audio-logo","tag-high-res-music","tag-high-resolution","tag-high-resolution-audio-experience","tag-hires-audio","tag-hires-music","tag-hra","tag-hra-listening-experience","tag-mark-waldrep","tag-music-server","tag-pcm","tag-spectragram","tag-spectragraphs","tag-uhd-audio","tag-ultra-high-definition-audio","tag-ultra-high-resolution-audio"],"_links":{"self":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4664"}],"version-history":[{"count":2,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4664\/revisions"}],"predecessor-version":[{"id":5621,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4664\/revisions\/5621"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/media\/4672"}],"wp:attachment":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}