{"id":4611,"date":"2015-05-24T15:46:42","date_gmt":"2015-05-24T22:46:42","guid":{"rendered":"http:\/\/www.realhd-audio.com\/?p=4611"},"modified":"2015-05-24T15:46:50","modified_gmt":"2015-05-24T22:46:50","slug":"cable-curiosities","status":"publish","type":"post","link":"https:\/\/www.realhd-audio.com\/?p=4611","title":{"rendered":"Cable Curiosities"},"content":{"rendered":"<p>Talking about audio cables is sure fire way to start a comment war. Just this past week, I spent several hours with the top executive of a major audio company in the studio for a chat and some demonstrations. He&#8217;s headed a number of major audio enterprises including one of the premium cable companies. I&#8217;m not sure how we got on the topic of expensive power cords but we did. The discussion centered on the fact the designer of the company&#8217;s expensive cables was not an electrical engineer but had come up with a theory of why power needs solid metal conductors. He assured me that using one of the company&#8217;s expensive power cords to get from the wall to the component would enhance the low frequency fidelity of any component. I remained politely skeptical&#8230;as I have regarding most premium cables&#8230;but was intrigued.<\/p>\n<p>So when an article came across my computer screen titled, &#8220;Managing Conductors&#8221; from the German publication Stereoplay that seems to have done extensive testing of a variety of interconnects, I was all in. You can read the pdf file yourself by <a href=\"http:\/\/www.wireworldaudio.com\/reviews\/CableSurvey_2014.pdf\" target=\"_blank\">clicking here<\/a>. It&#8217;s an interesting article. There are discussions of resistance, capacitance and inductance (the R, C and L that describes the properties of cables) as they apply to electrical cables. And they include a fourth parameter called conductance (the letter G), &#8220;which is the reciprocal value of the insulation resistance separating the forward and return conductors electrically from each other&#8221;.<\/p>\n<p>The article includes a comparison of about ten different RCA to RCA interconnects&#8230;with measurements and descriptions of the sound they produce. Starting with the &#8220;Standard red and white &#8216;in-the-box&#8217; Cable&#8221;, the authors continue evaluating cables from familiar high-end cable companies including Mogami, Kimber, Audioquest, Cardas, Clearaudio, Silent Wire, and In Akustik. Prices range from less than one dollar to over $500 for a short 1-meter cable.<\/p>\n<p>I found it fun that the article includes a couple of very quotable statements. Here are a couple of my favorites:<\/p>\n<p>&#8220;Even if the audio cable manufacturers like to describe cable differences in orders of magnitude, they\u2019re not as critical as speakers or even acoustic modifications of the listening room.&#8221; In other words, cables might result in very subtle differences in fidelity, but the changes are small, if present at all.&#8221;<\/p>\n<p>&#8220;&#8230;even though there may be a direct relationship between the material cost of audio cables and their selling price, that does not necessarily mean that the more expensive cables provide higher fidelity.&#8221; It is possible that higher costing cables will change the fidelity of a reproduced selection of music, it is not assured. And it is also possible that more expensive cables will be sound worse.<\/p>\n<p>You can read through the typical audiophile-friendly descriptions yourself. But there&#8217;s lots of &#8220;sounded decently balanced, however the midrange and presence region appeared milky, opaque and congested&#8221;, &#8220;It sounded impressive, precise, with sharp outlines and stable focus. Details were produced very clearly, without grit. Very spectacular, very informative &#8211; A real wow factor with quite vivid presence&#8221; and &#8220;a beautifully layered spatial impression, open and clear sound, particularly in the midrange&#8221;.<\/p>\n<p>But the most fascinating thing about the tests was the ability of readers to download &#8220;Hi-Res&#8221; downloads of the source track as played from a Pro Tools rig using a Wandler AMI Musik DDH-1 DAC&#8230;and the curious results that I got when I did a spectrogram analysis of the various cables.<\/p>\n<p>Take a look at the spectrograph of the selection as played using the standard Red\/White cable and the Kimber Kable Timbre (at $440).<\/p>\n<p><a href=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/05\/150524_cables.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/05\/150524_cables.jpg\" alt=\"150524_cables\" width=\"600\" height=\"325\" class=\"alignnone size-full wp-image-4612\" srcset=\"https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/05\/150524_cables.jpg 1948w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/05\/150524_cables-300x163.jpg 300w, https:\/\/www.realhd-audio.com\/wp-content\/uploads\/2015\/05\/150524_cables-1024x555.jpg 1024w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Figure 1 &#8211; The spectra comparing a &#8220;hi-res&#8221; track using a standard $1 cable vs. the $440 Kimber Kable Timbre. [Click to enlarge]<\/p>\n<p>I was shocked to see that the Kimber cable has a spectrum with lots of added ultrasonics&#8230;frequencies that aren&#8217;t in the original signal. I checked all of the other cables and none of them strayed from the standard cable in the slightest. The frequencies plots were identical. I even reversed the polarity between a couple of them and the standard original&#8230;they zeroed each other out 100%. There was no measurable difference between the items I checked&#8230;yet the magazine reviewers found some to have better low end, less &#8220;congested sound&#8221;, etc.<\/p>\n<p>The real question is what would cause the Kimber cable to produce levels of ultrasonic frequencies that are 20-30 dB higher than the actual signal? And would it make any difference in the fidelity? Unless something in the test files or procedures was amiss, I can&#8217;t figure it out. I guess I should ask my friend Ray Kimber.<\/p>\n<p>I&#8217;ll close by pointing out the obvious fact that the &#8220;High-Res&#8221; selection&#8230;the one at 96 kHz\/24-bits&#8230;is not actually a high-resolution file. The truth can be found by looking at the flat line on the left hand spectra&#8230;there are no frequencies above 22 kHz. In the right hand plot the rapid falloff at 22 kHz is also a guarantee that this is an upconverted CD track. No surprise, but why didn&#8217;t the magazine and reviewers point this out? Because they don&#8217;t know any better.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Talking about audio cables is sure fire way to start a comment war. Just this past week, I spent several<\/p>\n","protected":false},"author":2,"featured_media":4614,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_exactmetrics_skip_tracking":false,"video_url":"","footnotes":""},"categories":[45],"tags":[657,50,40,757,172,57,242,80,725,340,1032,70,640,26,639,651,769,42,298,251,645,1035,638,637,227,643,79,347,659,673,658,660],"class_list":["post-4611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dr_aixs_posts","tag-advanced-resolution","tag-aix-records","tag-analog-vs-digital","tag-audio-quality-guarantee","tag-audio-resolution","tag-audio-specifications","tag-audiophile-mastering","tag-benchmark-digital","tag-blu-ray-discs","tag-cea","tag-dvd_audio","tag-hd-downloads","tag-hd-music","tag-hd-audio","tag-hi-res-audio","tag-hi-res-audio-logo","tag-hi-res-logo","tag-high-resolution-audio","tag-high-res-music","tag-high-resolution","tag-high-resolution-audio-experience","tag-highresaudio","tag-hires-audio","tag-hires-music","tag-hra","tag-hra-listening-experience","tag-john-siau","tag-spectragram","tag-uhd-audio","tag-ultra-hd","tag-ultra-hd-audio","tag-ultra-high-definition-audio"],"_links":{"self":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4611"}],"version-history":[{"count":1,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4611\/revisions"}],"predecessor-version":[{"id":4615,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/posts\/4611\/revisions\/4615"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=\/wp\/v2\/media\/4614"}],"wp:attachment":[{"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.realhd-audio.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}